In this episode of Martfotai, we examine the evaluating machine: the formatory apparatus producing continuous verdicts on every incoming impression at a speed that precedes any genuine examination. Four dimensions are traced: what the machine actually is, its constancy across an ordinary day, the double separation it produces, and the absence of any consistent judge behind its verdicts. The distinction between mechanical evaluation and genuine conscience is established. The Week Without Good/Bad provides a sustained observational experiment for making the labelling function visible in operation.
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