logo
header-image

The Filmmaking Stuff Podcast

by Filmmaking Stuff
303 EPISODES
Nov 2025
All Episodes
Most Producers Only Pay $1 for a Script (Here’s Why)
Filmmaking Stuff
EFM Berlin: Where Serious Filmmakers Make Real Deals
Filmmaking Stuff
Rethinking Film Distribution Windows
Filmmaking Stuff
What Makes a Film Marketable?
Filmmaking Stuff
The Right Way to Talk About ROI in Film Financing
Filmmaking Stuff
Understanding Film Rights Before You Sign a Distribution Deal
Filmmaking Stuff
Putting 2025 Behind Us: Why 2026 Can Be a Turning Point for Film
Filmmaking Stuff
Why New Year’s Resolutions Fail—and How to Set Real Goals Instead
Filmmaking Stuff
Do Film Festival Laurels Help Sell a Movie?
Filmmaking Stuff
When Hiring an Entertainment Lawyer Helps—or Hurts—Your Film Deal
Filmmaking Stuff
How Indie Filmmakers Make Money on YouTube and AVOD
Filmmaking Stuff
When Things Fall Apart: A Story About Setbacks, Perspective, and Persistence
Filmmaking Stuff
Your M&E Track: The Key to Foreign Distribution
Filmmaking Stuff
Turning Your Short Film Into a Feature Film Deal
Filmmaking Stuff
How to Pitch Your Film to a Distributor the Right Way
Filmmaking Stuff
The Essential Elements of a Strong Film Package
Filmmaking Stuff
Distribution Contract Red Flags Every Filmmaker Should Know
Filmmaking Stuff
3 Mental Shifts That Attract Film Financing
Filmmaking Stuff
After the Deal: What Sales Agents Do with Your Film
Filmmaking Stuff
Inside AFM: What Sales Agents Look For
Filmmaking Stuff
Film Aggregator vs Distributor: Which One Actually Works?
Filmmaking Stuff
Completion Bonds Explained: What Filmmakers Need to Know
Filmmaking Stuff
H.264 vs ProRes 422 — What Filmmakers Need to Know
Filmmaking Stuff
Producer Credit Hierarchy Explained
Filmmaking Stuff
Which Film Festivals Actually Help You Sell Your Movie
Filmmaking Stuff
The Biggest Pitch Meeting Mistake Filmmakers Keep Making
Filmmaking Stuff
Deliverables Demystified: How to Prep Your Film for Distribution
Filmmaking Stuff
The Producer’s Rep Debate: Then vs. Now in Indie Film
Filmmaking Stuff
Film Set Secrets: When Working for Free Makes Sense
Filmmaking Stuff
Minimum Guarantees in Film: Advance or Illusion?
Filmmaking Stuff
The Truth About Streaming Platforms for Indie Films
Filmmaking Stuff
Sales Agents Explained: How Movies Actually Get Sold at Film Markets
Filmmaking Stuff
TVOD, SVOD, AVOD: The Filmmaker’s Crash Course on VOD Windows
Filmmaking Stuff
Film Market Networking Secrets: Tips for Cannes, EFM & AFM
Filmmaking Stuff
Why Most Indie Films Don’t Make Money (And How Yours Can)
Filmmaking Stuff
Pitch Deck Pitfalls: 3 Mistakes That Kill Film Investor Interest
Filmmaking Stuff
Avoiding the Worst Film Contract Traps in Distribution
Filmmaking Stuff
Branding Your First Feature: How to Launch a Filmmaking Career
Filmmaking Stuff
Micro-Budget Filmmaking: Turning Pennies into Production Value
Filmmaking Stuff
Film Financing Secrets: The 3 Things Every Investor Looks For
Filmmaking Stuff
How to Secure Movie Funding in Advance
Filmmaking Stuff
Film Festival Secrets: Getting Your Indie into the Majors
Filmmaking Stuff
How to Talk to Sales Agents Without Sounding Like a Rookie
Filmmaking Stuff
Choosing the Right Film Festivals for Your Indie Film
Filmmaking Stuff
Private Equity Investors: The Real Key to Indie Film Financing
Filmmaking Stuff
What Is a Minimum Guarantee in Film Distribution?
Filmmaking Stuff
The Three Things That Sell Your Film at Any Market
Filmmaking Stuff
The Investor Waterfall: What Smart Filmmakers Use to Raise Money
Filmmaking Stuff
Why Your Film’s One-Pager Might Be Costing You Deals
Filmmaking Stuff
The Psychology of Film Investors: What Really Closes the Deal
Filmmaking Stuff