When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
Apr 15
Indie Film Distribution: What Filmmakers Get Wrong
Why do most indie films fail to make money? In this episode, we break down the real reason—filmmakers focus on production, not distribution—and how to build a clear path to sales, investors, and ROI from the start.
2m 53s
Mar 18
How to Avoid Making an Invisible Film
Why do some indie films completely disappear after release? In this episode, we break down the concept of the “invisible film” — movies that get uploaded to platforms but generate little to no revenue. Learn why platform saturation, over-reliance on distributors, and lack of film ... Show More
3m 8s
Mar 11
The Collapse of the Mid-Budget Indie Film
The mid-budget independent film model is collapsing — and most filmmakers don’t see it coming. In this episode, I break down why $750K–$5M films are struggling, how the loss of DVD revenue and platform saturation changed the market, why B-list cast no longer guarantees sales, and ... Show More
5m 17s
Aug 2024
Want To Make Worldbuilding Movies? ‘Borderlands’ EP Emmy Yu on Development, Production & Why VFX Should Be Onboard ASAP
Producers are involved in every step of creating a film, from development to post-production. The role of a producer is not only to keep everyone on the same page but also to remove barriers so the cast and crew can focus on the creative elements needed to create a fantastic film ... Show More
55m 59s
Dec 2023
'Share?' Director Ira Rosensweig on Full Stack Filmmaking
Ira Rosensweig is the director and editor of Share?, a science fiction thriller that was shot entirely from one fixed camera angle. This film will creep you out, but in a good way, as it prompts you to take an honest look at your relationship with social media.
In today’s episod ... Show More
46m 22s
Jul 2024
How ‘I Saw the TV Glow’ Editor Balances Creative, Tech & Negotiates Higher Pay
As a beginning editor, working on low-budget projects is normal when you’re first starting. Once you get some experience under your belt, there comes a time when you have to start advocating for yourself so that you can get paid more. The “something is better than nothing mindset ... Show More
39m 24s
May 2024
Break Up With Your Temp Score & Other Placeholders; Plus, Blackmagic Won NAB
If you’re a director who has become too attached to the temp score, you’re essentially falling in love with something you can’t have. While it may feel impossible to let go, it is possible. Let’s look at some ways you can break up with your temp score and move on.
In today’s ep ... Show More
48m 59s