Prehistoric Cinema

Matthew Sweet talks to film editor, sound designer and director Walter Murch about working on Apocalypse Now, the Godfather films, The Conversation, Barton Fink and Return to Oz 

Matthew Sweet is on the hunt for mythical creatures on the big screen. Tune in to escape reality, as we explore film music that transports you to fantastical worlds; from Middle-earth with Howard Shore’s beloved music for The Hobbit, to ancient Greece with Leonard Rosenthal's epi ... Show More

Matthew Sweet looks at unusual instruments used in film scores such as the Cristal Baschet which is a favourite of Cliff Martinez in scores such as Drive.He considers the use of unusual technology such as the Blaster Beam used by Jerry Goldsmith in Star Trek: The Motion Picture. ... Show More

Jurassic World Rebirth is the latest reboot of the beloved franchise. This time around Scarlett Johansson, Mahershala Ali, and Jonathan Bailey head to a fresh island of mutant dinosaurs, where they experience a familiar mix of splashy kills and not-so-subtle morality tales. But c ... Show More

Jurassic Park doesn't always function like a typical film score. In this episode, we discuss the role that music plays throughout the film. We also touch on the film's amazing sound design, the appearance of "Dies Irae," a breakdown of a theme for predators, and so much more. Lea ... Show More

<p>When you imagine the sound of a dinosaur, you probably think of a scene from the Jurassic Park movies. How do sound designers make these extinct creatures sound so believably alive? And what does modern paleontology tell us about what dinosaurs REALLY sounded like? This guest ... Show More

Cult director J.A. Bayona tells Francine Stock why he took on the dinosaurs in Jurassic World: Fallen Kingdom and why it's really a haunted house movie.Composer Neil Brand takes us on a tour with Taxi Driver, Bernard Herrmann's game-changing score for Martin Scorsese's masterpiec ... Show More

In our first episode dedicated to Jurassic Park, we explore the emotion behind the music. How is it different than Spielberg and Williams' first monstrous collaboration, Jaws? We delve into the history of Jurassic Park's development, discuss the differences between the film and t ... Show More

Paleontologist Steve Brusatte consulted on the new “Jurassic World: Dominion” movie, and helped director Colin Trevorrow introduce new species of dinosaurs into this final installment of the franchise. Steve shares some of the new dinosaurs you’ll see in the film, the knowledge h ... Show More

For our third episode, we look at another great Williams-Spielberg collaboration with the 1993 score to Jurassic Park. This landmark film redefined special effects and Hollywood itself, but what did it do for film music? Join us as we take a look at the main themes for the score ... Show More

The Jurassic Park film franchise brought dinosaurs to life using CGI and special effects. But, with advancing gene engineering technology, could dinosaurs actually be resurrected? If so, should they be? Would they even survive in 21st-century conditions? We may find out sooner th ... Show More