“That's just like the human struggle, is how is it that our interiority and the way that we're perceived externally, how do we live with that? How does it act? Like, how do those things influence each other? Like, that's maybe the human problem. And so academia puts another layer on that, disability puts another layer on that, being an artist puts another layer on that because there is this expectation I think in those spaces to both use your identity to flag something socially to the world, but also, if you do that, then you take on all the trappings, the preconceived notions, the stereotypes of that.”

So says Chloé Cooper Jones, the author of the truly stunning memoir Easy Beauty, which unsurprisingly, was a finalist for the Pulitzer Prize. Chloé was born with sacral agenesis, a rare congenital condition that impacts her gait and her stature, and makes it at times painful to move throughout the world. Her memoir is a study in the way her condition has kept her apart, driving her toward intellectual superiority as a defense mechanism against a world that doesn’t feel like it belongs to her. In Easy Beauty, she travels the globe, reclaiming spaces and her own body as she had always refused to make it the center of her scholarship. As she travels, Chloé probes big questions, like why do we gather at places where terrible things have happened and who gets to be a philosopher? She also explores the qualities of easy versus difficult beauty, beauty we have to work for. Chloé is a contributing writer at The New York Times Magazine and an Associate Professor at Columbia University’s MFA program. This is one of my favorite conversations to date, so let’s turn to it now.

When We Hold Ourselves Apart (Chloé Coop...