E.T. The Extra-Terrestrial - the Music (...

Our final look at the music of Star Trek puts us in the position of the show's music editors and composers. With so many classic episodes to get through, how did they stretch their music budget to cover an entire season? The music of Sol Kaplan, Joseph Mullendore, Gerald Fried an ... Show More

Music production on a full season of Star Trek begins! Our first two composers get to work, as Alexander Courage and Fred Steiner start writing and recording music at a frantic pace. We'll hear the rest of Courage's work on season one, and listen to Steiner's amazing contribution ... Show More

Before making it to air, Star Trek had not one, but two pilots scored by Alexander Courage. Once the first season finally went into production, it took five composers to pull it off. This episode explores the musical, financial and creative realities of 1960s television music pro ... Show More

Our latest guest on Soundtracking is not only someone Edith's known for a very long time, but also someone who's been a great supporter of this podcast since day one. Tom Hiddleston is currently tearing up the screen as Loki on Disney +. It's a brilliant vehicle for one of Marvel ... Show More

Music absolutely shapes how we process the ache and splendor of our favorite characters on screen. In this episode, Shonda Rhimes -- the empress of knocking us off the couch with music and a word (“...you’re my person,” anybody??) -- talks about the transformative power of a good ... Show More

A lot of Epik High’s music was actually inspired by cinematic music. But what sets movie soundtracks apart from other music? Tablo shares with us his love for movie soundtracks and introduces a few of his favorite composers and songs! If you enjoy this episode, make sure to subsc ... Show More

Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks. The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League ... Show More

Examining the power of original scoring for television throughout history, with a particular emphasis on its return to prominence in the era of Peak TV. Plus: an interview with Michael Stein and Kyle Dixon, who wrote the music for Netflix's "Stranger Things."Theme music: "Slinky" ... Show More

In front of an audience at Chapman University, the sibling singer/songwriters return to the podcast to take questions from the host and students about their path to music, why they love writing songs for movies and how "What Was I Made For?," their Oscar-shortlisted tune for Gret ... Show More

Our guest this week is one of our favourite humans ever to interview - and someone who is in no small part the reason Soundtracking exists. David O'Russell's is an absolute master when it comes to using music in his films, as evidenced by his latest film Amsterdam, which is score ... Show More

This week LA Times music reporters Gerrick Kennedy (@GerrickKennedy), Mikael Wood (@mikaelwood), and Randy Lewis (@RandyLewis2) join Mark Olsen (@IndieFocus) to discuss the intermingling of music and film. First, the group focuses on capturing live performance on film, as seen in ... Show More

We're five lyrics in, and Katie and Tom are getting musical. Literally, if you make it to the end. Dr Cara Rodway (Chair of the British Association for American Studies by day, musical nerd by night) gives a pretty convincing case for why the soundtrack has spent more weeks at UK ... Show More

In this very special episode, ATLA & TLOK Composer Jeremy Zuckerman sits down with Janet, Dante, and Song Exploder’s Hrishikesh Hirway! The focus is all about the music in this lively discussion about the challenges and delights of scoring television and film. Listen to tales of ... Show More