Sound On with Daniel Lopatin & Mica Levi

Topics covered include: Saying bad things about famous people, first meeting at Olivia’s table read for Knocked Up, G-rated bisexuality on The O.C., the craziest audition of Seth’s life, constantly being mistaken for a courier, anti-gravity, The Invite’s origins as a play, dreams ... Show More

Topics covered include: Learning to write everywhere, Lee Sung Jin's after death theory, the Bardo, David’s screenplay with Micheal Imperioli, Buddhism, the process of selecting iconic needle drops, bonding over created universes, comparing writers to golfers, Pavlov's dog, reali ... Show More

Topics covered include: Deep collaboration, early drafts of Mother Mary, being quick to discard dialogue, finding inspiration in the Faroe Islands, Anne's fear of making the easy choice, the qualities of being a Texas gentleman, the touchstone records that the cast listened to on ... Show More

Lights, camera… MUSIC!?! This week we’re talking about iconic movie soundtracks and why they’re going to the way of the dodo. From Batman Forever to Judgement Night, we hit all the bangers. Also Tom makes an important announcement for Tim.For weekly episodes of Books: The Podcast ... Show More

Another round table episode is UP! This week we are all about what makes for a great soundtrack film! Does the movie even matter when the music is that good? Turns out, the answer to that question is rather complicated. Enjoy this! We sure did!<hr><p style='color:grey; font-size: ... Show More

<p>Soundtracks that accompany the visuals from a film help capture emotions and enhance scenes, but have you ever wondered how this music is created from the initial concept to the final product? In this episode, Xylo chats with film and visual media composer, Adele Etheridge Woo ... Show More

Let's hear it from the top! We take a close look at various parts of Home Alone to break down the compositions, and we examine a scene with omitted music restored. The use of popular Christmas music is discussed, as is the comedic effect of orchestration. Learn more about your ad ... Show More

In our first look at John Williams' score for Home Alone, we discuss the background of the project, and how it greatly influenced the score. We listen to a few leitmotifs, and discuss how they became songs for the film, and we examine their use in the film. Broad styles of Holida ... Show More

This week LA Times music reporters Gerrick Kennedy (@GerrickKennedy), Mikael Wood (@mikaelwood), and Randy Lewis (@RandyLewis2) join Mark Olsen (@IndieFocus) to discuss the intermingling of music and film. First, the group focuses on capturing live performance on film, as seen in ... Show More

In Part II we take it from the top, and listen to how the film score for E.T. is constructed in the first half of the movie. We examine multiple themes, and discuss the movie's emotional honesty. Learn more about your ad choices. Visit megaphone.fm/adchoices 

In just three days, director and film composer John Carpenter wrote a classic horror film score. Go behind the scenes and hear the story of how it all came together. We'll also analyze the music, and talk about why it still scares us decades later. Learn more about your ad choice ... Show More

In our final look at Back to the Future, we discuss how themes are used, and how often. Secondary themes are examined, taking a close listen to how they're all related. We discuss the relationships between characters, and how music functions as a storytelling device. We even talk ... Show More

We take a close listen to the end of Home Alone, breaking down how the music scores the comedy, and when it holds back. Diagetic songs and song scores are discussed, as is the recording of a large collection of Holiday hits. We hear how Williams uses themes to complete the story, ... Show More