In part 2 of our look at Alfred Hitchcock's Psycho, we discuss how composer Bernard Herrmann skillfully builds tension with his use of repetition early on in the score. In the second half of the film, as a new, 3-note motive emerges, we break down its musical characteristics, and discuss how its used to warn us as the movie shifts from being a psychological ... Show More
Jan 28
Middle-Earth Sound Design: an Interview with David Farmer (Part II)
Part 2 of our interview with The Lord of the Rings sound designer David Farmer. We discuss the sounds of the Balrog, the Ents, and other various creatures across all three films. David also describes his technical workflow, and speaks with great fondness about the many months he ... Show More
37m 52s
Apr 2023
80. Behind the Music: The Art of Film Scoring
<p>Soundtracks that accompany the visuals from a film help capture emotions and enhance scenes, but have you ever wondered how this music is created from the initial concept to the final product? In this episode, Xylo chats with film and visual media composer, Adele Etheridge Woo ... Show More
31m 1s
May 2017
Guy Ritchie On The Music Of King Arthur, Snatch & The Man From U.N.C.L.E.
Whatever you think about the Guy Ritchie canon, it's hard to dispute his flair for combining the visual with the sonic. From Lock, Stock ... and Snatch to Sherlock Holmes and The Man From UNCLE, the musical elements of his films often drive the narrative - through his ingenious u ... Show More
32m 54s
May 2021
Episode 247: Junkie XL On The Music Of Justice League & Godzilla Vs Kong
Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks.The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League, ... Show More
55m 45s