Rocky IV and Transformers: an Interview ...

Our final look at the music of Star Trek puts us in the position of the show's music editors and composers. With so many classic episodes to get through, how did they stretch their music budget to cover an entire season? The music of Sol Kaplan, Joseph Mullendore, Gerald Fried an ... Show More

Music production on a full season of Star Trek begins! Our first two composers get to work, as Alexander Courage and Fred Steiner start writing and recording music at a frantic pace. We'll hear the rest of Courage's work on season one, and listen to Steiner's amazing contribution ... Show More

Before making it to air, Star Trek had not one, but two pilots scored by Alexander Courage. Once the first season finally went into production, it took five composers to pull it off. This episode explores the musical, financial and creative realities of 1960s television music pro ... Show More

What Does a Childhood Memory Look and Sound Like? That's a question we explore with the "Minari" director, who revisited his memories of growing up on an Arkansas family farm in the 1980s to make this film. And for the second half of the podcast Isaac and I welcome his composer E ... Show More

The Oscar and Grammy winning composer, who has masterfully scored some 150 films, reflects on his musical influences; how he began combining instruments and technology to produce new sounds; why he nearly passed on projects for which he later produced iconic work, including 'The ... Show More

When Jon Favreau joined Edith to discuss his remake of The Jungle Book, he revealed that the aspect of the film he was most preoccupied with was the music. Our latest guest Bill Condon says much the same thing about his retelling of a more recent Disney classic, Beauty And The Be ... Show More

Our latest guest on Soundtracking is a composer we've been wanting to get on for absolutely ages.  Michael Price has worked on a huge range of projects for film and television, including Dracula, Horrid Henry, Hot Fuzz, Band Of Brothers and, of course, Sherlock - for which he won ... Show More

Music absolutely shapes how we process the ache and splendor of our favorite characters on screen. In this episode, Shonda Rhimes -- the empress of knocking us off the couch with music and a word (“...you’re my person,” anybody??) -- talks about the transformative power of a good ... Show More

The Oscar-nominated filmmaker who reinvented the action genre reflects on his roots in TV, his fascination with terrorism and his latest film, a Western which marks his second collaboration with Tom Hanks. Learn more about your ad choices. Visit megaphone.fm/adchoices 

In front of an audience at the SCAD Savannah Film Festival, the musican and actor reflects on his colorful adolescence, his gravitation to and success with both rap and pop-punk and why he has added acting to his portfolio, too. Learn more about your ad choices. Visit megaphone.f ... Show More

Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks. The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League ... Show More

Examining the power of original scoring for television throughout history, with a particular emphasis on its return to prominence in the era of Peak TV. Plus: an interview with Michael Stein and Kyle Dixon, who wrote the music for Netflix's "Stranger Things."Theme music: "Slinky" ... Show More

Michael Giacchino is a world-famous composer who did both “Mission: Impossible III” and “Mission: Impossible – Ghost Protocol.” He is also a very cool guy. We talked to him about how he got involved with the franchise, working with filmmakers J.J. Abrams and Brad Bird, and his de ... Show More