Cinematographer Newton Thomas Sigel has no style. No singular aesthetic, mood, or technique. Rather, his focus is on storytelling. From being the first to capture the Contras on film in Nicaragua to photographing the X-Men series and Superman Returns (2006), Sigel has worn many hats (and no, we’re not talking about his fedoras and baseball caps, although there are those, too). But his desire to pursue these projects of various genres and styles all stem from the same goal: to delve into what makes humans human.
Born and raised during a time of tense racial relations in Detroit, Sigel learned to look at the world through a political lens early in his youth, which later led to his pursuing social-minded documentaries. When his family moved from Detroit to Buffalo, Sigel got involved in a developing media-study program there, his first foray into the field. Since then, he has worked on dozens of films. He is perhaps best-known for his work on Drive (2011) and Three Kings (1999), and, of course, for his first collaboration with director Bryan Singer, on The Usual Suspects (1995). Sigel most recently worked with Singer in 2018—their tenth film together—on a celebratory biopic of Queen, Bohemian Rhapsody, which was nominated for a BAFTA (British Academy of Film and Television Arts) award for best cinematography.
On this episode of Time Sensitive—recorded shortly after his arrival back in the U.S. from Vietnam, where he was the director of photography on Spike Lee’s Da 5 Bloods (to be released in 2020)—Sigel shares with Andrew Zuckerman his early years in SoHo’s vibrant art community, his earning a metaphorical film degree by working for the legendary Haskell Wexler, and how he convinced Warner Brothers to create a movie using cross-processed film.