Let's Celebrate Beethoven's 250th

Contributor Nate Chinen interviews the three musicians behind the new improvisational supergroup Love In Exile about their new album, the mysteries of how songs emerge from improvisation and most crucially, how the music they create is an expression of how they listen to each oth ... Show More

In our latest episode of Louder Than A Riot we break down legacy: who gets to leave one in hip-hop and who gets left out. Decades before hip-hop's current renaissance of women rappers, there was MC Sha-Rock. Despite her influence on future generations, her contribution to the cra ... Show More

All Songs Considered's Bob Boilen is joined by NPR Music's Hazel Cills and Marissa Lorusso to share their favorite new tracks of the week. Featured Songs And Artists: 1. Kara Jackson: "pawnshop," from Why Does the Earth Give Us People to Love? 2. feeble little horse: "Tin Man," f ... Show More

This month's salute to Beethoven on his 250th anniversary year, is a 1939 performance of the Choral Fantasy Op. 80. The NBC Symphony & the Westminster Choir are conducted by Arturo Toscanini. Ania Dorfmann is the pianist. 

To mark the 251st birthday of Ludwig van Beethoven, here is a 1947 recording of the Piano Sonata #24 played by Rudolf Serkin. 

This month's Beethoven podcast features a 1947 live recording of the symphony #5 by the Berlin Philharmonic conducted by Wilhelm Furtwangler. 

This month's Beethoven podcast features a 1951 recording of the Moonlight Sonata by German pianist Walter Gieseking. 

The final episode of our Beethoven 250 series features a 1947 recording of the Symphony #9 by the Vienna Philharmonic conducted by Herbert von Karajan with Elizabeth Schwarzkopf, Elizabeth Hongen, Julius Patzak and Hans Hotter. 

The first of a monthly series marking Beethoven's 250th birthday. Music includes the Turkish March form the Ruins of Athens and the Funeral March form the Eroica Symphony. 

Synopsis Today in 1825, one of Beethoven's late chamber works, his String Quartet in E-flat, Op. 127, received its premiere in Vienna by the Schuppanzigh Quartet. The Quartet had only received the music two weeks earlier, which, in those days, would be plenty of time for expe ... Show More

We'll look at some of Beethoven's early lieder (art songs) including the collection from Op, 52, the Gellert Lieder of Op. 48, and the the song "Adelaide,"     

Synopsis No four notes in classical music are more familiar than those that open Beethoven’s Symphony No. 5. Their powerful psychological resonance has often extended beyond music into overtly political contexts. For example, on today’s date in 1941, the British Broadcasting Comp ... Show More

When we listen closely to the Fifth, we hear a testament to self-expression and determination. Which means that we get to decide how to honor this symphony today, whether that means taking a break from Beethoven to commission new works from underrepresented composers, bringing ne ... Show More