Why Would a Museum Display Skulls of Ens...

As a child, Alan Michelson often rode the T past sculptor Cyrus Edward Dallin’s “Appeal to the Great Spirit” (1908) outside the Museum of Fine Arts, Boston (MFA). He was riveted by the statue’s grand horse and the powerful yet melancholy figure wearing a striking Plains Indian wa ... Show More

When World War II broke out, museums across France took their most precious artworks off the walls and hid them away for safekeeping from bombing. But no one suspected the greatest threat to these treasures: the Nazis’ massive art looting scheme, wherein they sought to plunder mu ... Show More

At Hyperallergic, we take pride in covering protesting museum workers who take to the streets. But few realize that these workers are taking part in a practice that’s as old as some of the ancient artifacts in their institutions. In this episode of the Hyperallergic Podcast, we’r ... Show More

A classroom display of human skulls sparks a reckoning at the Penn Museum in Philadelphia. A movement grows to “abolish the collection.” The Penn Museum relents to pressure. More skeletons in the closet. This episode contains swears. MORE ABOUT "WHAT REMAINS" Across the country, ... Show More

In a small suburb of Washington, D.C., a non-descript beige building houses thousands of Native human remains. The remains are currently in the possession of the Smithsonian Institution. But for the past decade, the Seminole Tribe of Florida has been fighting to get some of them ... Show More

Dwan Reece, a curator at the Smithsonian’s National Museum of African American History and Culture, highlights the pervasive history of blackface in an effort to dismantle its continued use and power. This talk was filmed at TEDxMidatlantic. All TEDx events are organized independ ... Show More

In the wake of the #metoo and Black Lives Matter movements, art museums began publicly touting their dedication to diversity. In this episode, we hear from two arts journalists about whether there are actually more artworks by women and people of color on the walls.See omnystudio ... Show More

New federal regulations are forcing museums across the United States to take down, cover up, or close their exhibits. ProPublica reporter Mary Hudetz and curator Catherine Roberts Shteynberg explain why. This episode was produced by Laura Bullard and Hady Mawajdeh. It was edited ... Show More

Who owns stolen art? Today on the show, the bloody journey of a Benin Bronze from West Africa to the halls of one of England's most elite universities — a tale of imperialism, betrayal, and the making of the modern world.See pcm.adswizz.com for information about our collection an ... Show More

<p>Museums are purging their collections of looted treasures. Can they also get something in return? And what does it mean to be a museum in the 21st century? (Part 3 of “Stealing Art Is Easy. Giving It Back Is Hard.”)</p><br/> <p>Hosted by Simplecast, an AdsWizz company. See <a ... Show More

Lurking in the collections of our regional museums are historic items which contain harmful chemicals used in their creation which can cause health problems for those who care for them. 

More than 10,000 Native human remains are currently sitting in a storage facility in a Maryland suburb. This week, how one small tribe is fighting to get them back to Florida. This episode originally aired October 13, 2021. See pcm.adswizz.com for information about our collection ... Show More