3c:T517,Though David Fincher’s new MANK certainly makes the case for giving Herman Mankiwiecz more of the credit for CITIZEN KANE than he’s often received, it’s more interested in peeling back the layers of a complex character and exploring the many personal and cultural themes that found their way into KANE. That makes it all but impossible not to discuss the film in relation to the Orson Welles classic, which is exactly what we do this week, comparing how the two films function as biography, how they each tackle politics and cronyism, and how they use non-chronological storytelling to different effect (and success). Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your radar. Please share your comments, thoughts, and questions about CITIZEN KANE, MANK, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Your Next Picture Show:Tasha: Aaron Sorkin’s THE TRIAL OF THE CHICAGO 7 Keith: Sofia Coppola’s ON THE ROCKS and Steve McQueen’s SMALL AXEGenevieve: Alex Huston Fischer and Eleanor Wilson’s SAVE YOURSELVES! Outro Music: “Teamwork” by Bing Crosby & Bob Hope Learn more about your ad choices. Visit megaphone.fm/adchoices3d:T533,

SEASON 2 - EPISODE 144 - Philip Barantini - Director

In this episode of the Team Deakins Podcast, we speak with director Philip Barantini (ADOLESCENCE, BOILING POINT, ACCUSED). Originally from Liverpool, Philip couldn't have felt further away from the film industry, but after developing an interest in drama and acting, he soon found himself as a working actor. After dropping out of the business and regaining his sobriety, he eventually overcame his self-doubt and built his career as a director from the ground up. Philip shares how he made the jump from making shorts to developing the television series BOILING POINT, and we learn how he found financing for the project and executed the single-shot aesthetic just as the world was shutting down at the beginning of the COVID-19 pandemic. We later learn about the genesis and development of ADOLESCENCE, and Philip reflects on the extensive rehearsal process for each episode. Philip also reveals how he created an environment within each episode that empowered the show's actors to improvise, and he shares how young actor Owen Cooper exceeded all expectations for his first role in front of the camera.

Recommended Viewing: ADOLESCENCE

This episode is sponsored by Profoto & Aputure

3e:T663,

How Do You Know