There are deep roots behind the latest entry into public noise.
It’s a now-common scenario: you’re using public transit, or waiting at the airport, or dining in a restaurant, when you hear the tinny music and computerized voice-overs of someone scrolling TikTok – no headphones. This aggravated All Things Considered producer and writer
Manuela López Restrepo enough to look into it. And what she found was a rich history of how public noise works in our culture: who is allowed to make (or avoid it), who gets punished – and the companies that seem to get off scot-free.
Manuela shares her reporting with Brittany and they dive deep into the politics and policy of noise.
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