D'Angelo's Black Messiah is one of the greatest albums of the 21st century. You can hear his musical influences all over it: Prince's arrangements, the Bee Gees' falsettos, Jimi Hendrix's guitar, Sly's groove. But the alchemy that makes Black Messiah so powerful could only come from one mind: D'Angelo, the artist who gave us Voodoo and Brown Sugar.
Jazz pianists Adam Maness and Peter Martin unpack D'Angelo's Black Messiah track by track, detailing what their trained ears hear in the music, and highlighting new textures, harmonies, and song structures you may have missed on the first listen.
Plus, Peter shares stories about his friendship and working relationship with legendary trumpet player Roy Hargrove.
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Adam shows you how to play D'Angelo's "Really Love". Get the lesson:
https://yhi.link/really-love
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Learn to talk like a jazz musician. Download the Liner Notes FREE today:
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0:00 D'Angelo and the Vanguard - Black Messiah
1:44 Ain't That Easy
7:35 Questlove, Pino Palladino, and James Gadson
9:35 1000 Deaths
14:09 The Charade
17:44 Where this album sits next to Sly, Marvin, and Prince
19:33 Roy Hargrove, and the Peter Martin connection
22:28 Sugah Daddy
28:45 Really Love
39:40 Back to the Future (Part I)
44:05 Where does talent like this come from?!
51:15 Till It's Done (Tutu)
53:43 Prayer
56:35 Betray My Heart
1:02:55 The Door
1:07:13 Back to the Future (Part II)
1:09:25 Is this album backwards?
1:11:11 Another Life
1:17:00 Our favorite moments
1:17:27 How snobby is this album?
1:19:53 Is it better than Voodoo?