Songs have lives of their own, and some political ones have an unfortunate habit of becoming relevant all over again. In this KMW Rewind, Valerie June talks with Kyle Meredith across two archival conversations about drawing from spirituals and early blues, teaching herself to play around her voice, and making Pushing Against the Stone and The Order of Time, while Billy Bragg explains why protest writers need to spend as much time on the song as the protest. Along the way, June recalls recording with her family and writing the title track to Mavis Staples’ Livin’ on a High Note, while Bragg reveals how posing as a TV repairman helped launch his career.
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