Clay Travis and Buck Sexton highlighted comments from Charlamagne tha God, Stephen A. Smith, and Chris Cuomo, noting that even prominent media personalities who were not previously aligned with COVID lockdown skeptics are now questioning Fauci’s actions, pandemic messaging, vaccine mandates, masking guidance, social distancing policies, and overall pandemic-era decision-making. Clay and Buck argued that Fauci’s legacy is undergoing a major reassessment and suggested that history may increasingly view him as a controversial figure rather than a public health hero.
Steve Hilton joins the show to discuss his campaign for California governor, sharply criticizing the state’s economic management, regulatory environment, minimum wage increases, high taxes, unemployment levels, poverty rates, and education system performance. He argued that California’s political leadership has created excessive bureaucracy that is driving businesses and jobs out of the state. Hilton also addressed the entertainment industry’s challenges, discussing production declines in Hollywood, competition from other states and countries, and his proposals for tax incentives and regulatory reform aimed at reviving film and television production in California.
Clay and Buck revisit one of the most memorable controversies of his career, a 2017 CNN appearance with Brooke Baldwin that became a viral national news story. They reflected on the media reaction, cancel culture dynamics, demands for public apologies, and the broader climate surrounding free speech during the early stages of what became known as cancel culture. Clay thanks Megyn Kelly for having his back. The hosts discussed how the incident led to significant backlash, attempts to pressure employers, and efforts to force public contrition, while arguing that many media controversies are driven more by ideological incentives than genuine outrage.
An extended interview with filmmaker John Irwin, director of the successful historical film Young Washington. Irwin discussed the film’s strong box office performance, audience enthusiasm, and the decision to tell the lesser-known story of George Washington’s early life. He explained that the project was designed to explore Washington’s formative years, personal struggles, leadership development, and rise before becoming America’s first president. Irwin argued that many Americans are unfamiliar with the origins of the American Revolution and that historical storytelling can help reconnect audiences with the nation’s founding principles, leadership traditions, and civic heritage.
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