Yasmin Proctor-Kent likens sewing to science. “I find them really hard to separate them in my brain. I don’t think I can sew without engaging the same part of my brain that I do science with,” she says.
For Proctor-Kent, a research and development scientist at the cancer diagnostics company Leica Biosystems, based in Melbourne, Australia, the two pursuits require similar approaches, relying on her own and others’ prior knowledge and expertise, reading papers, or reading from other people who have sewn a similar garment. “It’s about applying theoretical knowledge to something tactile, something practical that you’re doing,” she adds.
In the second episode of a six-part podcast series about creativity in science, Proctor-Kent recounts how she honed her sewing skills during the Covid-19 lockdown before applying to The Great British Sewing Bee, an annual TV competition, reaching the 2025 finals.
Kit, a semi-finalist and mathematician, was similarly creative. “Mathematics and spatial reasoning and 3D plotting and all of that mathematical brain that Kit has, really did apply to the Bee,” she says. “When we were given a sewing pattern and told to make it in two hours…Kit already knew exactly how every single pattern piece fit together.”
Finally, Proctor-Kent urges other scientists to take up a pastime, even if it feels risky. “You get to a point in your career where you have success…you have a fear of being bad, at trying something new. We should all sit in that fear. Allow ourselves to be wrong. Allow ourselves to be bad at stuff. Allow ourselves to be embarrassed.”
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