Today on Script Apart – Harris Dickinson: star of films like Babygirl and Triangle of Sadness, John Lennon in the upcoming Beatles biopics from Sam Mendes, and now, a formidable presence on the other side of the camera too. Urchin, the new drama written and directed by Harris, is a feature debut that “I cannot escape and I cannot forget,” to quote the Atomic Kitten song that plays in a pivotal scene.
It’s a story that hit close to home for me, quite literally. Harris lives kinda down the street from where I’m from. He shot a lot of Urchin in locations I used to tread every day before moving to LA earlier this year. And as we discuss in this spoiler conversation, we’ve both volunteered with local organisations a stone’s throw from each other, providing support to unhoused people in east London. In fact, it was while doing this volunteer work one day that Harris conjured the idea for Urchin – a story about a young man sleeping rough in Hackney, struggling with addiction and poverty, played by Frank Dillane.
If that sounds like a gritty social realist drama you’ve seen before, well, you’re only half right. Urchin takes raw ingredients from that cinematic tradition and adds big, strange, lyrical leaps that make you feel the isolation and alienation that Frank’s character, Mike, feels. It all leads up to an ending that’s spine-tingling. In the conversation you’re about to hear, Harris and I break down key scenes and characters from the film, the real-life problems he hopes the film helps draw attention towards – and of course, Atomic Kitten, because how could we not? I hope it makes you whole again, listeners.
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