Welcome to one of five special episodes recorded live at Peckham 24. In this episode, we celebrate and unpack Åsa Johannesson book Queer Methodology for Photography, diving into her research into new approaches for making, thinking about writing about Queer photography. Through the book, Åsa proposes a new concept of the photographic image that focuses on materiality, voicing concerns beyond representation.
Peckham 24 exists to support the photographic community by providing artists with opportunities to exhibit, share and discuss new work - shining a spotlight on cutting-edge contemporary photography.
The theme for the 8th edition of the festival was Back to the future, bringing together artists who take moments from the past as inspiration to re-stage, re-imagine or re-think existing narratives.
Åsa Johannesson is an artist working across photography, installation, and writing. Her practice concerns the relationship between queerness, representation, and material knowledge production. She has exhibited her work internationally, including at Centrum för fotografi (Stockholm), Queer Britain (London), Landskrona Foto (Landskrona), Dyson Gallery (London) and FutureLab (Shanghai). Åsa’s work has been written about in the books Photography: A Queer History and Museums, Sexuality, and Gender Activism, and the journals Philosophy of Photography, British Journal of Photography, Yes & No, and Zine. She is based in London, UK and her hometown Växjö, Sweden.
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