On today’s episode, we speak with director Joe Wright whose new limited TV series Mussolini: Son of the Century, explores fascism through the early political career of Italy’s Prime Minister Mussolini in the 1920s. The show is incredible storytelling from beginning to end, mixing opera and techno rave music while drawing chilling comparisons to the current rise of fascism around the world.
“We all have a dark side. We all have the choice to be the best of ourselves, or the worst of ourselves and we usually land somewhere in the middle. Working on Mussolini allowed me the opportunity to look at my relationship with my own masculinity and it helped me understand the man I want to be,” says director Joe Wright about the way he personalized Benito Mussolini’s story to make it more accessible to a modern audience, adding, “I wanted the audience to be at times seduced by him, and then in a Brechtian sense, to kind of pull the rug from underneath their feet, and ask them to apply some critical distance.”
Wright also discusses what he learned about storytelling growing up with his parent’s puppet theater, his early films like Pride and Prejudice, and dealing with his own self-doubts as a filmmaker by making a movie about Winston Churchill called Darkest Hour.
“Darkest Hour is a movie about doubt. When I made that movie, I just made a movie called Pan, which the critics hated and lost a huge amount of money. I was sort of consumed afterwards by self-doubt. I was thinking, what have I got to say? I can't reach audiences anymore, I'm out of step. So, then the opportunity came along to do Darkest Hour, and I immediately perceived it as a story about a little man who was consumed by self-doubt, and who was doubted by others all around him. Yet he persevered and overcame enormous odds to lead a nation at their darkest hour. So, for me, that became a story worth telling,” says Wright.
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