In this episode, GG Hawkins and Jason Hellerman dig into the behind-the-scenes business of micro-budget filmmaking. They tackle a fan-submitted Ask No Film School question about run-and-gun filmmaking risks, E&O insurance, and securing distribution when shooting without proper permits. Then, GG interviews writer/director Anna Baumgarten and producer Danny Mo ... Show More
Mar 14
The Horror in What You Don’t See—How Sound and Rhythm Build Suspense in 'Undertone'
In this episode, No Film School host GG Hawkins speaks with editor Sonny Atkins about shaping fear through sound, rhythm, and restraint in the horror feature Undertone. Atkins breaks down how the film’s audio-first concept influenced everything from the script to the cut, why lon ... Show More
39m 27s
Mar 12
Director Amy Wang Reveals the Job That Keeps Filmmakers Working After Film School
Writer-director Amy Wang joins the No Film School podcast to discuss her debut feature, Slanted, and the long road from film school to theatrical release. In conversation with GG Hawkins, Wang reflects on leaving Australia for AFI, building a creative community in Los Angeles, le ... Show More
45m 45s
Mar 6
The Best Distillation of Filmmaking: An A24 Edit Case Study
In this episode, GG Hawkins speaks with editor Harrison Atkins about shaping A24’s How to Make a Killing with director John Patton Ford. Atkins breaks down his path into editing, his holistic “total filmmaker” approach to storytelling, and the editorial challenges of balancing da ... Show More
38m 10s
Jun 2024
How to make a Anthony Hopkins starring historical indie feature with producer Meg Thomson & Director Matt Brown
On today's show, host Giles Alderson welcomes not one but two amazing guests: producer Meg Thomson and director Matt Brown. They're here to talk all about their latest indie feature film Freud's Last Session, starring Anthony Hopkins, Matthew Goode, and many other great actors. G ... Show More
1h 9m
Aug 2025
DZ-120: Subtext is overrated
Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We're here to tell you it isn't. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how? In this episode, Chas ... Show More
1h 54m
Aug 2025
Art of the one shot: Adolescence cinematographer Matt Lewis
The Cinematography Podcast Episode 321: Cinematographer Matt Lewis
In the limited Netflix series Adolescence, each episode unfolds as a single, uninterrupted take, a cinematic choice that immediately immerses viewers in the unfolding drama. This ambitious format was a delibera ... Show More
57m 54s