Alma Deutscher, often described as a modern-day Mozart, was a prodigy whose early accomplishments include composing a piano sonata at age six, a short opera at seven, a violin concerto at nine, and her first full-length opera at ten. At twelve, she was profiled on 60 Minutes, and in 2021 began conducting studies in Vienna with Johannes Wildner.
Now 20, Alma has just written her first ballet score—a collaboration with Lincoln Jones, founder and director of American Contemporary Ballet (ACB) in Los Angeles.
Lincoln joined me on the podcast just over two years ago, offering unique insights into the complexities of running a dance company and the profound art of dance itself.
In this episode, Lincoln and Alma discuss their new ballet, The Euterpides, inspired by Euterpe, the ancient Greek Muse of Music. This piece follows the Muse’s goddess daughters as they descend to dance with a mortal, exploring the age-old connection between inspiration and craft.
We recorded this conversation on Memorial Day to get it out ahead of the ballet’s world premiere, which runs June 5–28 in Los Angeles. If you’re local (or can make the trip!), you’ll also hear about an audience support campaign, offering a rare chance for the public to get involved in bringing this ballet to life.
GUEST BIO
Alma Deutscher has composed a number of acclaimed orchestral works, including a full-length opera, by the age of 10. Her music has been performed at Carnegie Hall and the Vienna State Opera. She’s earned the admiration of classical music luminaries like Zubin Mehta, who called her “one of the greatest musical talents of today.”
Lincoln Jones is the founder, director, and principal choreographer of the American Contemporary Ballet in Los Angeles. Their collaboration, The Euterpides, premieres on June 5.
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