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Apr 2025
1h 43m

Dante's Inferno Ep. 7: Cantos 32-34 with...

Harrison Garlick and Adam Minihan
About this episode

The frozen heart of hell. Today, Dcn. Harrison Garlick is joined by Mr. Evan Amato to discuss the frozen wastes of the 9th Circle of Hell - the damned guilty of treachery (or complex fraud).

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A few questions from our guide to Dante's Inferno:

78.     What happens in the ninth circle of hell: Treachery (Complex Fraud) (Canto 34)?

Pressing onward, Virgil leads the Pilgrim to “Judecca”—named after Judas Iscariot—in which those souls that have betrayed their benefactors or their lords are frozen completely in the ice.[1] The Pilgrim notes the distorted figures, saying: “To me they looked like straws worked into glass.”[2] Finally, the Pilgrim sees the gigantic figure of Satan. The figure of Lucifer, the arch-traitor against his Benefactor and Lord, God, is frozen in the ice to the waist as his six bat-like wings eternally beating—thus, causing the wind that freezes all in the pit of hell.[3] The Pilgrim observes, Satan, who has three faces on his head, “wept from his six eyes, and down three chins were dripping tears mixed with bloody slaver.”[4] Each one of Satan’s faces bears a distinct color—red, yellow, and black—and in each mouth Lucifer “crunched a sinner.”[5] In the mouth of the central red face, Judas, who “suffers most of all,” and is inserted headfirst.[6] The other two souls are inserted legs first and they are Brutus in the black face—“see how he squirms in silent desperation”—and Cassius in the yellow face."[7] Bringing their journey to an end, Virgil, with the Pilgrim on his back, first climbs down the hairy shanks of Satan, and second, after passing the center of the earth, climbs up the legs of Satan.[8] Heading out toward the Mount of Purgatory, the Pilgrim and Virgil exit the earth and behold the stars in the sky.[9]

 79.      Why does Dante the Poet use ice to describe the bottom of hell?

In Aristotle’s Metaphysics, when he must answer how does the Unmoved Mover move all things if the Unmoved Mover does not move, he answers: love (eros). God is Pure Act, and all things are drawn to him by love—in other words, though unmoved himself, he is the source of all movement in the cosmos. As such, the pit of hell would be the furthest from God; thus, evil, as a type of anti-movement and anti-love finds a poetic home in the imagery of ice. Furthermore, evil is a privation of the good. Evil is not something real but rather something unreal, a lack. Evil is like a hole in the ground or like darkness is to light. Similarly, evil is like cold is the heat. Coldness is not necessarily real per se but is rather the absence of heat. Evil is the absence of good. As such, ice again makes a good image of evil and a fitting pit to a hell structured according to love.

80.      Why is the...

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