In the winter of 1807, a group of music-loving Viennese, frustrated that their chances to hear orchestral and symphonic music seemed rather sporadic, decided to sponsor a series of symphonic concerts themselves. Their organization was called, simply The Concert of Music Lovers, with performing forces made up — as a Viennese newspaper put it — of “the best local amateurs, with a few wind instruments only: French horns, trumpets, etc., drafted from Viennese theaters.” And the audience, according to the same source, comprising “exclusively the nobility of the town, foreigners of note, and selected cognoscenti.” Twenty concerts were staged in all, most of them in a large hall of the Vienna University.
The final concert in the series occurred on today’s date in 1808: a performance of Haydn’s oratorio The Creation. The work was sung in Italian, and the conductor on that occasion was the famous Italian composer Antonio Salieri.
Haydn was living in a suburb of Vienna at the time and arrived in Prince Ezterhazy’s coach. Haydn was carried into the hall on an armchair lifted high so that all could see him. The orchestra played a fanfare and shouts of “Long live Haydn!” rang from the audience — which included Ludwig van Beethoven.
Franz Josef Haydn (1732-1808): The Creation; English Baroque Soloists; John Eliot Gardiner, conductor; Archiv 449 217