It was supposed to be “the cheerful Games.” That was the motto of the 1972 Munich Olympics, which was meant to usher in a peaceful new era on the world stage after the horrors in Germany just three decades earlier. Instead, on September 5th 1972, just after 4am. eight men in tracksuits jumped the fence at Munich's Olympic Village, armed with rifles and grenades. These men belonged to Black September — a group associated with the Palestine Liberation Organization – and their plan was to take the Israeli Olympic team hostage and hold them at gunpoint until 328 prisoners detained by Israel were released. The standoff ended in confusion and bloodshed. All eleven hostages died, as did a policeman and five members of the Black September group. This, despite media reports – broadcast to 900m people around the world – that the prisoners had been rescued.
Today on Script Apart, we talk with the writer-director, Tim Fehlbaum, and co-writer, Moritz Binder, of a newly Oscar-nominated drama that contemplates what the Munich massacre might tell us about media complicity in acts of terrorism. The pair wrote this film with writer Alex David focused not on depicting the overall events of that terrible day – Steven Spielberg covered that with 2005's Munich, written by past Script Apart guests Eric Roth and Tony Kushner. Instead, Tim and Mortiz’s angle on the story is through the American sports broadcasters who suddenly find themselves tasked with covering the situation live as it unfolds – a world first.
Never before had an event like this played out on television as it happened. Today, we’re very much used to consuming terrible atrocities as they happen on our digital devices. But in 1972, such a thing was unheard of. September 5 – which stars a great ensemble cast – puts the ethical questions involved with live-streaming terror under the microscope. It’s a period piece that resonates with disturbing power today not least because, since the film was finished, a harrowing new chapter in the history of violence between Israel and Palestine has been written. Maybe, the film seems to wonder, when you have a form of media that rewards being first and being loudest instead of being accurate, any type of live coverage is doomed to inflame and exploit rather than inform.
This episode, as ever, contains spoilers.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.
Hosted on Acast. See acast.com/privacy for more information.