Company School painting is a fascinating yet often overlooked artistic tradition that emerged during the British East India Company’s rule in India. Indian artists blended Mughal, Rajput, and European styles to create detailed and vibrant artworks focused on flora and fauna. What makes these paintings extraordinary is how they capture not only scientific precision but also the rich artistic traditions of India.
At the heart of this story is the city of Lucknow, a hub of artistic and cultural refinement, where European imperialists like Claude Martin sought to document India’s natural world. Martin, a French adventurer-turned-British officer, was so committed to this project that he imported thousands of sheets of European watercolour paper and assembled a team of Indian artists to create meticulous botanical and zoological illustrations.
But as much as these paintings were a product of imperialism, they also provided an unprecedented opportunity for Indian artists to leave a lasting impression. Unlike earlier court art, which often left artists anonymous, Company School paintings are some of the first works where individual Indian painters were credited by name.
Listen as William and Anita unravel the intricate web of art, science, and empire, revealing a world where botanical illustrations were not just scientific tools, but also symbols of a rapidly changing society.
Twitter: @Empirepoduk
Email: empirepoduk@gmail.com
Goalhangerpodcasts.com
Assistant Producer: Becki Hills
Producer: Anouska Lewis
Senior Producer: Callum Hill
Exec Producer: Neil Fearn
Learn more about your ad choices. Visit podcastchoices.com/adchoices