ative orbit, plus his approach to music and improvisation, and why it’s taken a minute to hone in on his forthcoming debut album. Plus he discusses what he learned from working with Willow on her Grammy nominated LP ‘empathogen,’ and the energetic vibes of working with Mike Sabath, Justin Bieber, and the inspirational force that was and always will be Prince.

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1e:T5e5,When singer Debbie Harry helped form Blondie in 1974 she developed a unique stage persona to front the band. Though she may have appeared to fans as a hyper-femme caricature, Harry recalls her role as androgynous or "transexual" in her 2019 memoir Face It. In the third episode of Soundscapes N.Y.C., host Ryan Purcell talks with Cornell University professor of music Judith Peraino, and University of Iowa cultural studies professor Kembrew McLeod about the stylistic and social forces that shaped gender-bending bands like Blondie and others in the early “punk” scene in 1970s New York. Judith Peraino is the author of multiple publications on rock music and constructions of gender. This includes We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond (Cornell University Press, 2025) co-edited with Tom McEnaney, professor of comparative literature at the University of California, Berkley. McLeod is a cultural critic and documentary filmmaker. He is the author of Parallel Lines in Bloomsbury’s 33 1/3 Series (2016) and the critically acclaimed history The Downtown Pop Underground: New York City and the

“How You Remind Me”—Nickelback