In this episode, GG Hawkins sits down with editor Celia Beasley to discuss her role in shaping Penelope, the new episodic series by the Duplass Brothers, now on Netflix. They explore the unique process of editing an episodic series that was shot like an indie film and edited entirely in the cloud. Celia shares her experiences of working outside major film hubs and the impact of community on her career. Through insightful conversations on editing, storytelling, and collaboration, Celia reveals her creative process and what it means to find success beyond New York and LA.
In this episode, No Film School’s GG Hawkins and Celia Beasley discuss:
- Transitioning from still photography to filmmaking and discovering editing as a storytelling tool
- Navigating the industry outside of major film hubs and the importance of a supportive community
- The unique challenges of editing Penelope, including cloud-based editing and handling extensive footage
- Using editing techniques to convey the protagonist's journey, especially in time-compressed scenes
- Advice for emerging filmmakers on trusting instincts, building collaborative relationships, and allowing a film to develop organically
Memorable Quotes:
- “Editing is not an afterthought. It’s the last chance for the film to be the best version of itself.” (46:44)
- “In the edit, I feel like I’m getting a giant bin of Legos, and it’s up to me to put the pieces together to make it all work.” (30:24)
- “It’s okay to ask questions, especially as an editor. I need to understand the vision, and I’m here to serve that.” (52:16)
- “People outside of New York and LA are in film for the love of it; we’re doing it because we’re passionate.” (12:32)
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