Expatriate American composer Conlon Nancarrow came to the conclusion that the rhythmically complex, intricate contrapuntal music he wanted to write would be too difficult for mere mortals to tackle, so he composed for a mechanical instrument: the player piano.
Despite its complexity, Nancarrow’s music drew some of its inspiration from the human, all-too-human jazz stylings of Art Tatum and Earl Hines, and the complex rhythmic patterns of music from India.
Nancarrow was born in 1912 in Texarkana, Arkansas. At 18, he heard Igor Stravinsky’s Rite of Spring, which sparked his life-long interest in rhythmic complexity. Soon after, Nancarrow began private studies with American composers Roger Sessions and Walter Piston. He moved to Mexico City in 1940, where he lived and worked until his death.
Nancarrow composed in almost total isolation until the late 1970s, when some of his piano roll compositions appeared on record. These created quite an impact, and the MacArthur Foundation awarded him its Genius Award. Late fame even brought a series of commissions from performers willing to take on the challenge of performing his difficult music. One of these pieces, his String Quartet No. 3, was premiered on today’s date in 1987 by the Arditti Quartet.
Conlon Nancarrow (1912-1997): String Quartet No. 3; Arditti Quartet; Grammavision 79440