One of the last chamber works by American composer Aaron Copland received its first performance on today’s date in 1971 in Philadelphia as a benefit for that city’s Settlement Music School. Copland was present for the premiere of his Duo for flute and piano. The work was commissioned by friends and students of William Kincaid, who had been the principal flutist of the Philadelphia Orchestra for many years.
By 1971, thorny, complex, and atonal music was the fashion in both Europe and America. Copland, for his part, had composed some challenging orchestral works along these lines as well. His Duo, however was unashamedly lyrical.
As Copland put it: “What can you do with a flute in an extended form that would not emphasize its songful nature? Lyricism seems to be built into the flute. Some expressed surprise at the tonal nature of my Duo, considering that my recent works had been in a more severe idiom.”
Copland needn’t have worried. As music critic Michael Steinberg put it, reviewing its first performance in Boston, “Copland’s Duo is a lightweight work of a masterful craftsman. It is going to give pleasure to flutists and their audiences for a long time.”
Aaron Copland (1900-1990): Duo; Jennifer Stinton, flute; Malcolm Martineau, piano; Collins 1385