ting, writing: Barbra Streisand always insisted on doing it her way. Malin Hay, who recently reviewed Streisand’s 992-page autobiography, joins Tom to discuss her performances on stage and screen, her prodigious voice and why her best movie may be one where she doesn’t sing at all.

Find further reading on the episode page: https://lrb.me/barbrapod

Malin’s Streisand playlist: https://lrb.me/barbraplaylist

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Find out more about ACE Cultural Tours: https://aceculturaltours.co.uk

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1d:T4f4,'Our Mutual Friend' was Dickens’s last completed novel, published in serial form in 1864-65. The story begins with a body being dredged from the ooze and slime of the Thames, then opens out to follow a wide array of characters through the dust heaps, paper mills, public houses and dining rooms of London and its hinterland. In this extended extract from Novel Approaches, a Close Readings series from the LRB, Tom is joined by Rosemary Hill and Tom Crewe to make sense of a complex work that was not only the last great social novel of the period but also gestured forwards to the crisp, late-century cynicism of Oscar Wilde. They consider the ways in which the book was responding to the darkening mood of mid-Victorian Britain and the fading of the post-Waterloo generation, as well as the remarkable flexibility of its prose, with its shifting modes, tenses and perspectives, that combine to make Our Mutual Friend one of the most rewarding of Dickens’s novels. To listen to the full episode, and to all our other Close Rea

Streisand’s Way