An archaeologist and an artist walk into a dump…
For most of us, we throw our garbage to the curb, and it disappears from our lives. But to some, that’s just the beginning of trash’s story. In this episode, we follow two people who seek the truth in trash—an archaeologist who excavates ancient rubbish in Turkmenistan and an artist who spotlights the people responsible for making trash vanish.
Guests:
Martina Rugiadi, associate curator, Department of Islamic Art, The Met
sTo Len, artist
Andy Blancero, development officer, Freshkills Park Alliance
Featured artworks:
Chakaia Booker, Raw Attraction, 2001: https://www.metmuseum.org/art/collection/search/492175
Bowl with Green, Yellow, and Brown Splashed Decoration. Excavated in Iran, Nishapur, 10th century: https://www.metmuseum.org/art/collection/search/449348
Stone Oil Lamp. Excavated in Iran, Nishapur, 9th century: https://www.metmuseum.org/art/collection/search/449328
Painted Dado Panels. Excavated in Iran, Nishapur, 9th century: https://www.metmuseum.org/art/collection/search/449862
James Hampton, The Throne of the Third Heaven of the Nations’ Millennium General Assembly, ca. 1950-1964: https://americanart.si.edu/artwork/throne-third-heaven-nations-millennium-general-assembly-9897
Fragment of a Wall Painting with a Fox or a Dog (and Painted Layers). Excavated in Iran, Nishapur, 12th century: https://www.metmuseum.org/art/collection/search/708593
For a transcript of the episode and more information, visit metmuseum.org/immaterialtrash
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Immaterial is produced by The Metropolitan Museum of Art and Magnificent Noise and hosted by Camille Dungy.
Our production staff includes Salman Ahad Khan, Ann Collins, Samantha Henig, Eric Nuzum, Emma Vecchione, Sarah Wambold, and Jamie York. Additional staff includes Laura Barth, Julia Bordelon, Skyla Choi, Maria Kozanecka, and Rachel Smith.
Sound design by Ariana Martinez and Kristin Mueller.
Original music by Austin Fisher.
Fact-checking by Mary Mathis and Claire Hyman.
Immaterial is made possible by Dasha Zhukova Niarchos. Additional support is provided by the Zodiac Fund.
Special thanks to Adwoa Gyimah-Brempong, Avery Trufelman, Brinda Kumar, Navina Haider.
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