On today’s date in 1826, Franz Schubert completed what would be his last string quartet, published posthumously as his Opus 161.
1826 was a rather frustrating year for Schubert. Prospects for commissions didn’t pan out, and he wrote the following note to the oldest publishing house in Germany, Breitkopf & Härtel:
“In the hope that my name is not wholly unknown to you, I am venturing to ask whether you would be disposed to take over at a moderate price some of my compositions, for I very much want to become as well-known as possible in Germany. Your selection could be made from the following: songs, strings quartets, piano sonatas, etc. etc. Signed, Franz Schubert, Auf der Wieden #100, in Frühwirth’s house, fifth staircase, second floor — Vienna”
The publishing firm responded with a proposal to try out one or two of Schubert’s piano pieces, but as payment only offered him free copies of the printed music. Schubert was definitely not “as well-known as possible” in Germany, and nine years earlier, when he submitted his now-famous setting of Goethe’s poem, “The Erl King” to Breitkopf and Härtel, they confused him with another composer named Franz Schubert who lived in Dresden.
Franz Schubert (1795-1828): String Quartet No. 15; Emerson String Quartet; DG 459 151