Last fall, the Contemporary Jewish Museum in San Francisco put out an open call for artists to apply for the California Jewish Open. Some of the artists that were accepted into the show identified themselves openly in the application as anti-Zionist, and submitted work that contained content that straightforwardly advocated for Palestinian liberation.
But in April, seven of the artists withdrew from the show. A statement released by a group calling themselves California Artists for Palestine cited an “inability to meet artists’ demands, including transparency around funding and a commitment to BDS [Boycott, Divestment, Sanctions].” The artists demanded to be able to have final say on wall text about the works, and to be able to pull or alter their works at any time. They were also concerned about potential “curatorial both-sidesism,” referring to an email they received on March 22nd which asked artists to sign off on the fact that their work would be “presented in proximity to artwork(s) by other Jewish artists which may convey views and beliefs that conflict with [their] own.” The museum has decided to leave blank the wall space designated for this work, “to honor the perspective that would have been shared through these works, and to authentically reflect the struggle for dialogue that is illustrated by the artists’ decisions to withdraw.”
This week, Jewish Currents editor-in-chief Arielle Angel speaks to two anti-Zionist multidisciplinary artists who made divergent decisions about whether to stay in the group show: Amy Trachtenberg, who opted to remain, and Liat Berdugo, who has pulled out. The trio discuss the perils and possibility of Jewish institutional life—in the art world and beyond—at this moment, the applicability of BDS in this case, and the uses and limitations of “dialogue.”
Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”
ARTICLES MENTIONED AND FURTHER READING:
“Jewish Anti-Zionist Artists Withdraw From Contemporary Jewish Museum Show,” Matt Stromberg, Hyperallergic
“Anti-Zionist Jewish artists pull out of CJM exhibit when demands are not met,” Andrew Esensten, J Weekly
“CJM visitors wonder: Does the Palestinian flag belong on the museum’s walls?,” Andrew Esensten, J Weekly
Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) guidelines
“Campus Politics Takes the Stage in The Ally,” On the Nose, Jewish Currents
Jewish Voice for Peace/IfNotNow Passover Campaign
“Biting the Hand,” The Editors, e-flux
“Seeing It for the Trees” by Liat Berdugo