Join us for a Deep Cut episode on the exceptional 1982 film Moral from director Marilou Diaz-Abaya. The trio are blown away by the intricate script work and editing within the film, and they finally help coin the acronym GFWTM (Go Fucking Watch This Movie) for Wilson to use in the future. Eli and Ben discuss how Diaz-Abaya and screenwriter Ricky Lee can achi ... Show More
Today
108. Chantal Akerman: News from Home & No Home Movie
We continue our series on Akerman with a double-bill of personal documentaries about her mother, and of home. News from Home immediately follows her seminal Jeanne Dielman, and No Home Movie is the final film of Akerman’s filmography. In this episode, we thread the throughline ac ... Show More
54m 44s
Aug 11
107. Chantal Akerman: Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
It’s about time. We tackle Chantal Akerman’s Sight and Sound topping Jeanne Dielman, and begin our series on her singular career. Ben introduces Akerman’s career, spotlighting her fierce conviction and crystalline vision, Eli loops in a melodramatic reading, and Wilson zeroes in ... Show More
1h 32m
Sep 2019
#248 - NYFF57 Day 3: Cinematography Now with Rodrigo Prieto, Ashley Connor & Chris Teague
On Day 3 of our New York Film Festival daily podcast, we're exploring the craft of cinematography. In the introduction Eugene Hernandez, FLC Deputy Director and Co-Publisher of Film Comment, is joined by programmer Dan Sullivan to discuss NYFF's Retrospective selections this year ... Show More
1h 26m
Nov 2022
The Best Movie About Making Movies
This week, Dave, Neil, and Joanna hold a debate over the best movie about making movies. They first discuss the results of last week’s poll before discussing the film that inspired their debate, ‘The Fablemans’ (1:33). Later, they share their favorite Spielberg films, documentari ... Show More
1h 13m
Sep 2017
Pitching Do's and Don’ts: How to Get Your Film Funded
This week’s guests have heard over 10,000 pitches between them and, in this episode, they reveal what works and what doesn't when you're trying to raise money for your films. No Film School’s Liz Nord is joined by Molly O’Brien (Chief Business Development Officer of Fork Films), ... Show More
35m 7s
Jul 2020
Ramona Diaz Decodes the Motherland
Filipino-American filmmaker Ramona Diaz says each of her films is a “yearning for the motherland.” She’s in a unique position, as she says, able to “decode” the Philippines for the rest of the world. Her most recent film, A Thousand Cuts, tells the story of Filipino-American jour ... Show More
35m 40s