Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America by Michelle R. Scott (University of Illin ... Show More
Mar 22
Martha Feldman, "Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome" (Zone Books, 2026)
Around 1830, opera houses stopped using castrati, and Rome and the Vatican became home to their glorious singing, engineered by surgery and intensive vocal training. Castrati were long mired in secrecy, obfuscations, and lies about their origin and conditions, not least the last ... Show More
42m 40s
Mar 21
Mike Huguenor, "Elvis Is Dead, I'm Still Alive: The Story of Asian Man Records" (Clash, 2026)
Sourced from over a hundred hours of interviews with musicians, producers, booking agents, label owners, writers, fans, employees, volunteers, friends and family, Elvis is Dead, I’m Still Alive: The Story of Asian Man Records tells the singular story of Asian Man Records. In its ... Show More
52m 19s
Mar 16
Jewface: “Yiddish” Dialect Songs of Tin Pan Alley
With his fake beard, putty nose, and thick Yiddish accent, the “stage Jew” was once a common character in vaudeville, part of a genre that mocked immigrants and minorities. Essentially a variant of blackface minstrelsy, the music that accompanied these “Jewface” performances was ... Show More
1h 18m
Dec 2018
Kellie Jones, "South of Pico: African American Artists in the 1960s and 1970s" (Duke UP, 2017)
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History a ... Show More
49m 8s
Dec 2018
Kellie Jones, "South of Pico: African American Artists in the 1960s and 1970s" (Duke UP, 2017)
New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History a ... Show More
49m 8s
Mar 2023
Damien M. Sojoyner, "Joy and Pain: A Story of Black Life and Liberation in Five Albums" (U California Press, 2022)
This highly original story reflects on how the carceral state shapes daily life for young Black people--and how Black Americans resist, find joy, and cultivate new visions for the future. Joy and Pain: A Story of Black Life and Liberation in Five Albums (University of California ... Show More
1h 17m
Feb 2024
Michael O'Malley, "The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music" (U Chicago Press, 2022)
Francis O’Neill (1848–1936) was a Chicago police officer and a folk music collector. Michael O’Malley connects these two seemingly unrelated activities in his biography of O’Neill, The Beat Cop: Chicago’s Chief O’Neill and the Creation of Irish Music (University of Chicago Press, ... Show More
59 m
Nov 2020
Le Cotton Club : Panthéon du Jazz
Nous sommes au croisement de la 142ème rue et de Lenox Avenue, au nord-est de Harlem à New York. C’est là que se dressaient les murs de ce qui a été tout à la fois une salle de concert, un cabaret et un dancing. Un panthéon de la fête et de la musique, témoin et acteur de deux gr ... Show More
1h 6m
Aug 2023
Karima K. Jeffrey-Legette, "Speculative Film and Moving Images by or about Black Women and Girls" (Lexington Books, 2022)
Karima K. Jeffrey-Legette's book Speculative Film and Moving Images by or about Black Women and Girls (Lexington Books, 2022) examines depictions of African-descended women and girls in twentieth and twenty-first century filmmaking. Topics include a discursive analysis of stereot ... Show More
1h 48m
Feb 2021
Robert L. Stone, "Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community" (U of Mississippi Press, 2020)
Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacre ... Show More
1h 1m
Oct 2023
Frederick V. Engram, "Black Liberation Through Action and Resistance: MOVE" (Rowman & Littlefield, 2023)
Black Liberation through Action and Resistance: MOVE (Rowman & Littlefield, 2023) serves as a call to action for Black millennials and co-conspirators who are immersed in the work of Black liberation or want to begin their own journey toward anti-racism. Its central mission is to ... Show More
38m 35s