40:T519,

SEASON 2 - EPISODE 63 - RIAN JOHNSON - WRITER / DIRECTOR

On this episode of the Team Deakins Podcast, writer and director Rian Johnson (KNIVES OUT, STAR WARS: THE LAST JEDI, LOOPER) speaks with us about his career, and, in a pleasant change of pace, he even asks us a few questions! Rian first shares his childhood memory of attending a screenwriting seminar with his father and how that experience has since informed his craft. We later learn about the father-son story at the heart of LOOPER and reflect on the differences in crew cultures between different countries. We also reminisce over floundering in your 20's and touch on Rian's enduring creative partnerships with actor Joseph Gordon-Levitt and cinematographer Steve Yedlin. While discussing THE LAST JEDI, Rian reveals which classic opera inspired the design of the throne room and under what conditions, atypical for effects-heavy filmmaking, enabled Rian and his collaborators to build extensive and grounded sets for its many scenes. Throughout the episode, Rian reflects on his abilities as a filmmaker, and we discuss the beauty of scenes that, despite being irrelevant to the plot, are emotionally correct within a given story.

Recommended Viewing: LOOPER

This episode is sponsored by Fiilex

41:T4da,

SEASON 2 - EPISODE 124 - Quyen Tran - Cinematographer

On this episode of the Team Deakins Podcast, we speak with cinematographer Quyen Tran (AHSOKA, MAID, PALM SPRINGS). We start the episode with Quyen's harrowing recollection of her experience in New York City on 9/11, and she reflects on how the event steered her life towards filmmaking. While studying film at UCLA, Quyen fell into documentary filmmaking, and she shares how she's since branched into directing television and miniseries. She reveals who gave her the initial push to even try directing, and she reveals what she enjoys about it compared to cinematography. We also discuss the films and shows that influenced Quyen early in life, and we share our appreciation for the universal visual storytelling in THE BENNY HILL SHOW and I LOVE LUCY. We later learn how Quyen used lighting to lean into the darker moments of the sci-fi comedy PALM SPRINGS, and she shares how she feels her experiences as a director has made her a better cinematographer. Plus, Quyen reveals what we included in the "Roger Deakins lighting kit" distributed to her class while we were the cinematographer-in-residence at UCLA years ago.

This episode is sponsored by Aputure

42:T52b,

SEASON 2 - EPISODE 94 - BILL BENNETT - CINEMATOGRAPHER

On this episode of the Team Deakins Podcast, cinematographer Bill Bennett speaks with us about the world of commercial filmmaking. Born into a family of engineers, Bill came to love art through his mother's own development as an artist, and he quickly changed majors in college to pursue his passion. Finding his way to LA, Bill built sets for commercials for years until breaking his way into camera operating and eventually cinematography in the field. Bill reveals how commercial filmmakers transitioned from film to digital formats and of his involvement in the development of the Arriflex 435 camera, a major breakthrough at the time. Bill later reflects on the impact of the Arri Alexa camera on the design of digital cameras at large and on the moment a digital camera demonstrated its value as a viable replacement for film cameras to him on a car commercial shoot. Bill also shares plenty of advice for young filmmakers looking to enter the world of commercial production and what his own views are on what makes someone stand out from the crowd. Towards the end, we discuss how commercial filmmaking is changing with new technologies like artificial intelligence and volume lighting systems.

This episode is sponsored by Aputure

43:T503,SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOO

Ahsoka cinematographer Eric Steelberg, A...