om’s Directory, James Joyce strove to recreate 1904 Dublin as accurately as possible, down to the last solicitor and street railing. But, as Colm Tóibín explains in a recent piece, the novel is pockmarked with errors, only some intentional. Colm joins Tom to discuss Joyce’s deliberate and accidental mistakes, Trieste’s essential influence on the novel, and why a queer reading of Ulysses really does hold water.

Find further reading on the episode page: lrb.me/factcheckingjoyce

Subscribe to Close Readings:

In Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Hosted on Acast. See acast.com/privacy for more information.

1d:T4f4,'Our Mutual Friend' was Dickens’s last completed novel, published in serial form in 1864-65. The story begins with a body being dredged from the ooze and slime of the Thames, then opens out to follow a wide array of characters through the dust heaps, paper mills, public houses and dining rooms of London and its hinterland. In this extended extract from Novel Approaches, a Close Readings series from the LRB, Tom is joined by Rosemary Hill and Tom Crewe to make sense of a complex work that was not only the last great social novel of the period but also gestured forwards to the crisp, late-century cynicism of Oscar Wilde. They consider the ways in which the book was responding to the darkening mood of mid-Victorian Britain and the fading of the post-Waterloo generation, as well as the remarkable flexibility of its prose, with its shifting modes, tenses and perspectives, that c

Fact-Checking ‘Ulysses’