In this episode we’re asking why ‘goblin mode’ is so danged zeitgeist-y such that in 2022 it became the Oxford English Dictionary's Word of the Year. Joined by McKayla Coyle (they/them), author of Goblin Mode: How to Get Cozy, Embrace Imperfection, and Thrive in the Muck, we dig into the term that took twitter by storm last year. Hannah leads Marcelle and McKayla through a discussion on 'the abject,' a concept from Bulgarian-French feminist philosopher Julia Kristeva. We talk about the racialized and ableist construction of bodies and boundaries — and how that may help us understand the radical potential of going 'goblin mode.'
If you like this episode, please share it with family and friends! Word-of-mouth is the primary way we reach new listeners who are interested in feminist materialist critique, pop culture and laughing at and from within *the discourse.* Share the show today!
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Material Girls is a new show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
We'll be back in two weeks for another episode, but until then, be sure to check out all the bonus content we have on our Patreon at Patreon.com/ohwitchplease. You can learn more about the show at ohwitchplease.ca and on our instagram at instagram.com/ohwitchplease! Want more from us? Check out our website ohwitchplease.ca.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
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