Ryan and Todd offer their interpretation of Christopher Nolan's most recent film Oppenheimer. They focus on the relationship between the form of the film and its content, while considering the political implications of its depiction of the hero. They think about the film in relationship to the rest of Nolan's filmography.
Mar 2
Critique of Pure Reason: Transcendental Deduction
On this episode, Ryan and Todd cover the next major idea in Kant's first critique: the transcendental deduction. While explicating the trajectory of Kant's argument, the pair continue to track the latent and manifest influence of this section on Fichte, Hegel, Freud, Heidegger, a ... Show More
1h 24m
Feb 15
Critique of Pure Reason: Transcendental Aesthetic
On this episode, Ryan and Todd return to Kant and discuss the Transcendental Aesthetic from his Critique of Pure Reason. The hosts work through a sketch of Kant's idea, why he's proposing it, and why even the form of its argumentation is significant for the history of philosophy. ... Show More
1h 14m
Mar 2024
Dunkirk (2017) and Dangerous Minds (1995)
With Christopher Nolan now an Oscar-winner, this particular episode of Film Stories begins by zipping back to 2017, when he had a his first serious drive-by of the Academy Awards. That'd be with Dunkirk, the first time he told a true story on film. It took him a long time to be i ... Show More
56m 19s
Oct 2023
Inception (2010) and Sightseers (2012)
Ah-ha! Two of the most acclaimed British directors of the 2010s take centre stage in this episode, albeit with very, very different films.
Christopher Nolan originally envisaged his dreamy heist movie Inception as a low budget feature. But just after he'd made Insomnia, he got 80 ... Show More
57m 22s