On today’s date in 1803, violinist George Polgreen Bridgetower, 33, and pianist and composer Ludwig van Beethoven, 32, gave the first performance in Vienna of a new sonata for violin and piano, a chamber work now regarded as one of Beethoven’s greatest.
At the first rehearsal, Bridgetower had to read from Beethoven’s manuscript score — no easy task considering Beethoven’s poor penmanship — and at one point felt compelled to improvise a passage, which so enchanted Beethoven that he added Bridgetower’s improvisation to his score. In fact, the two young men became fast friends, and were inseparable for a time.
Bridgetower was an English violin virtuoso born in Poland of a European mother and an African father. His Viennese friendship with Beethoven came to a sudden end, he later claimed, when the two men became interested in the same young lady.
And so, even though it should be known as the Bridgetower Sonata, when this music was published as Beethoven’s Op. 47, Beethoven dedicated the music to another contemporary virtuoso, a French violinist named Kreutzer, who apparently never performed it. Despite that fact, to this day, the work is known as Beethoven’s Kreutzer Sonata.
Ludwig van Beethoven (1770-1827): Violin Sonata No. 9 (Kreutzer); Pamela Frank, violin; Claude Frank, piano; MusicMasters 67087