By as early as 1909, composers like Mahler knew that tonality was reaching its breaking point, and composers like Debussy were experimenting with colors and ideas a composer like Brahms wouldn’t have dreamed were possible. Strauss was shocking the world in his own right with his erotic and disturbing opera Salome. Mirroring the roiling tensions all over the ... Show More
May 1
Copland Clarinet Concerto
The commission for a new Clarinet Concerto from the great American composer Aaron Copland came from a rather unlikely source: Benny Goodman, the man known as the King of Swing. Goodman was one of the most famous and important jazz musicians of all time, but in the late 1940s, swi ... Show More
48m 13s
Apr 17
Steve Reich: Different Trains
Steve Reich, the great American contemporary composer, provided this program note about his work Different Trains: “The idea for the piece came from my childhood. When I was one year old my parents separated. My singer, song-writer mother moved to Los Angeles and my attorney fath ... Show More
52m 30s
Apr 3
Best of Frenemies: Debussy and Ravel
Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehem ... Show More
52m 22s
Nov 2023
Rule Breakers: Gesualdo, Beethoven and Stravinsky
Which three composers tore up the rule book and changed music forever? Joanna and Stephen begin this episode with the cold-blooded murderer, Carlo Gesualdo - a dreadful man who composed sacred music. Known for plundering the depths of emotion in his madrigals, Gesualdo's 'word-pa ... Show More
33m 27s
Oct 2015
Symphony No. 2: Desperation and Determination
Ludwig van Beethoven's Second Symphony came at a pivot point in his life. Musically, the composer moved toward the more epic, revolutionary style that would define his later symphonies. Personally, Beethoven sank into despair as his hearing loss worsened.
14m 48s
Sep 2020
THE 5TH — MOVEMENT III, Putting the Classism in Classical
Before Beethoven’s time, classical music culture looked and sounded quite different. When Mozart premiered his Symphony 31 in the late 1700s, it was standard for audiences to clap, cheer, and yell “da capo!” (Italian for “from the beginning!”) in the middle of a performance. Afte ... Show More
32m 22s