In our latest awards season mini-series special, we chat with Darius Marder – director and co-writer of the astounding Sound of Metal. Nominated for six Academy Awards, including Best Picture and Best Original Screenplay, the film’s an intimate look into the life of a punk drummer with a history of substance abuse, whose world is thrown into disarray when he suffers hearing loss. Desperate to avoid relapsing into drug dependency again, our hero Ruben joins a community of deaf recovered addicts on a remote farm, where he begins on a path towards relearning who he is and reconstructing his life. Riz Ahmed is sensational as the wiry, introverted Ruben, working from a script that treats its characters not as conduits to tell a story, but living breathing people with depth and flaws.
Achieving that depth on the page required an intense amount of work for Darius and his brother/writing partner Abraham. On top of the countless hours spent writing out hundreds of pages of back story for their characters, the pair put a massive amount of emotional labour into Sound of Metal to make their story as grounded as possible. As you’ll hear in this episode, Darius drew on his own experience of a crumbling relationship while writing scenes between Ruben and his partner Lou, while Abraham let his own history of debilitating medical problems inform the feeling of freefall that Ruben finds himself in when his hearing begins to falter.
We spoke to Darius about the many meanings of the film’s title, the punishing process of writing the film and why it was important to him not to present deafness as a problem to be fixed. Darius also shared with me how Sound Of Metal was originally envisioned as not just one film but two – with another movie delving into what happens to Lou intended to be released simultaneously. This is a spoiler-filled conversation, so if you haven’t yet seen Sound Of Metal, you know the drill by now – hit pause, head to Amazon Prime Video to watch it, then come back as we dive into every detail of this great movie.
Support for this episode comes from Arc Studio – the beautifully-designed screenwriting programme whose intuitive interface and host of innovative features helps you get the most out of your writing time – and Coverfly, who curate the best screenwriting talent-discovery programs into one place and connect emerging screenwriters with industry professionals who can bring their ideas to screen.
Script Apart is a podcast about the first-draft secrets behind great movies. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. All proceeds go to Black Minds Matter UK, the NHS Charities Covid-19 Appeal and the Film and TV Charity.
Script Apart is hosted by Al Horner and produced by Kamil Dymek, with music from Stefan Bindley-Taylor. You can follow Script Apart on Twitter and Instagram. You can also email us on thescriptapartpodcast@gmail.com.
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