In Episode 08 of Art of Citizenry Podcast, Manpreet Kalra is joined by Eunice Pais in a conversation exploring the ways in which colonial legacies led to the dominance of the English language, creating barriers rooted in power. They discuss the ways in which photography conveys stories and builds connections at a raw, humanistic level, transcending linguistic barriers. Together, they explore the role of photographers as visual storytellers with Eunice sharing her experience as a Black-Portuguese photographer.
Throughout this podcast we have explored the power of language and words. As many of you know, I strongly believe that words have the ability to shape perceptions and are an important part of how we share not only our stories, but shape the way others understand our experiences. Unfortunately, the conversation of language is often approached from a subconscious place of dominance. We don't necessarily realize how language itself can play into how we experience and navigate power.
"Most narratives about the Black experience are American centric, or very British centric, which, again, it's not something that is probably conscious collectively, but it does happen. And sometimes I feel like I in a way, I'm privileged because I speak English fluently, so I can convey my experience and my messages clearly in two languages. But if someone doesn't, then their experience as a person of color, who doesn't speak English, is not included in the conversation."
- Eunice Pais
English is the most spoken language in the world with Mandarin following as a close second. The thing that is important to note as a difference between the two is that while the majority of Mandarin speakers are concentrated by region, English is much more spread out. This is, of course, the result of colonization of communities around the world by the British Empire. After all, it was "the empire on which the sun never sets." This idea of English being the language of dominance continued to manifest with the spread of American culture. With English being the primary language of the original colonizers of what is now the United States, the association of English and whiteness became stamped. The persistent idolization of whiteness, as evidenced through the tragic history of slavery in the US, further cemented the roots of internalized racism leading to English taking a dominant hold. English is the de facto language of 70 countries and is the official languages of the skies. It has more non-native speakers than any other language in the world.
Historically, power, specifically political and social power, is intrinsically tied to the ability to speak the dominant language. It has resulted in the loss of culture, which is very much dependent on the survival of languages, many of which are now endangered. The drift away from a language often starts for understandable reasons like a desire to assimilate or even survive. This is something I've seen in my own community. Punjabi, being the language of my ancestors, has become increasingly endangered after years of ridicule as the language of uneducated villagers. Many in Punjab itself choose not to speak Punjabi out of a desire to assimilate and be treated with respect by India’s elite, who speak Hindi and hold power and prestige. Even schools in Punjab that once taught in Punjabi now teach in Hindi. It is important to understand this context especially as I speak to you right now in English, my second language, a fact I have often shied away from sharing out of fear of being considered less than.
So how do you tell a story that transcends the barriers of power that language often creates within society? Over the years, I have come to recognize the power that art has as a universal language. No matter what culture or community you belong to, art, particularly photography, has the ability to communicate the nuances that often language fails to when navigating across cultures.
One of the things many people don't realize is that colonization also resulted in forced migration. It was as much about power through expansion as it was about the annihilation of communities and cultures. This meant that many people were forced to move to countries where they continued to live in endangerment. People were forced to assimilate, abandoning their identities for the sake of survival.
My family had to flee their own country because they didn't choose their nationality. They have no agency to choose, they were under strict dictatorship. They came to Portugal in '74 with a nationality that wasn't well received here, so they came to the country that colonized them and yet did not accept them as Portuguese.
- Eunice Pais
During this episode, we speak with Eunice Pais, the founder of Pais Ethical Image Making. Eunice is a self-taught ethical fashion photographer based in Portugal. Her journey in photography started three years ago with a question: “Can photography be responsible ?” Partnering with ethical fashion brands, Eunice was able to develop and implement environmentally and socially positive methods of work in her fashion productions. This year, she decided to elevate the initial personal project even further by creating an agency that champions ethics in image-making while pushing for a more equitable industry. She shares her experience with her Black-Portuguese identity, the impact of colonialism on her identity, and together, we explore the role of photography in storytelling.
That even with singular stories and different backgrounds from those who lead the conversation, we are still participating in a common goal: an equitable system.
- Eunice Pais
Support Eunice’s work via GoFundMe + follow @pais.agency on Instagram.
This podcast is dedicated to creating a safe space to discuss and challenge topics surrounding how we each navigate our personal advantages and disadvantages. I want to thank Eunice for joining me today and sharing her valuable insights.
Finally, thank you for listening! Please subscribe, download, and leave a review for Art of Citizenry Podcast — I appreciate your love and support on this exciting journey!
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