784. Una Meta Movie

Writer/producer David Simkins (Adventures in Babysitting, Charmed, Grimm, Blade, Roswell, Angel) talks about his start as a screenwriter and his evolving process of writing his “core story." 

From development funds to film markets, Frederik Ehrhardt talks about what it’s like to write and produce in the United States and Europe. 

The five writers selected for the 2025 CBS/Paramount Writers Mentoring Program talk about the craft and career lessons they’ve learned from the program and each other. 

Director Damien Chazelle discusses his new film, La La Land, with fellow director Jon Favreau. Set in modern-day Los Angeles, the film tells the story of an aspiring actress and a jazz musician who embark on a whirlwind romance as they struggle to make ends meet and find success ... Show More

We all hear it: "I've got this great idea for a movie," or, "they should totally make that into a movie," but why do so few people take the next step and actually write the script? Well, today, Pixar alum Meg LeFauve and Lorien McKenna answer that question, getting into all the n ... Show More

Kim Masters and Matt Belloni break down the latest executive hires at Netflix and Disney. They also take a look at Kevin Costner’s ambitious plans to theatrically release a four-part film saga set in the Old West.  Plus, NPR contributor Jeff Lunden speaks to composer Laura Karpma ... Show More

Live from the set of his film PLAYING WITH FIRE - Todd Garner tells the 14 year story of how the movie got made. From the creation and countless revisions of the script - to the politics surrounding family comedies - getting JOHN CENA on board - and how the film is marketed - Tod ... Show More

With Christopher Nolan now an Oscar-winner, this particular episode of Film Stories begins by zipping back to 2017, when he had a his first serious drive-by of the Academy Awards. That'd be with Dunkirk, the first time he told a true story on film. It took him a long time to be i ... Show More

In front of an audience at Chapman University, the Korean-Canadian filmmaker, who is Oscar-nominated for her autobiographical feature directorial debut, reflects on her transition from playwright to filmmaker, the biggest challenges that a first-time filmmaker faces and her aspir ... Show More

Two films with very short titles in this episode, starting with a comedy favourite from the 2010s. Director Paul Feig broke out of movie jail with 2010's Bridesmaids - and he used his freshly-inked deal with 20th Century Fox to get his own take on a James Bond film to the screen. ... Show More

The impact of Pulp Fiction's success in the mid-1990s meant that ensemble films based on scripts from relatively inexperienced writer/directors were on the radar of Hollywood. Step forward James Mangold's Cop Land, which was a quick beneficiary. After an attempt to get John Travo ... Show More

"People told me this was an unadaptable book, so the only logical thing to do was to try to adapt it," says writer, producer and filmmaker Ava DuVernay of her work taking the award-winning title "Caste" from page to screen. In conversation with Pat Mitchell, DuVernay talks about ... Show More