One today’s date in 2004, a new concerto for marimba and orchestra had its premiere in San Francisco, with soloist Matthew Cannon and the San Francisco Composers Chamber Orchestra.
The new concerto was written by Alexis Alrich, who studied composition out east at the New England Conservatory, and out west at Mills College, where one of her teachers was Lou Harrison, who introduced her to Asian music through Javanese gamelan. Her own music, she says, blends American minimalism, Asian music and Western classical and folk music, a mix some have described as “California impressionism.”
“[My] Marimba Concerto is highly demanding for the soloist and fully exploits the technical possibilities and sound palette of the five-octave marimba,” Alrich said. “The opening movement with its string tremolos and whispering wind motifs provides an atmospheric entrance for the solo marimba … The middle movement starts with a gently pulsating theme that recurs between contrasting sections, including one in Mexican folk style. The final movement climaxes with a multi-layered, Asian-inspired chorale … with a toccata-style cadenza for the soloist.”
In 2010 British percussion virtuoso Evelyn Glennie and City Chamber Orchestra of Hong Kong gave the Asian premiere of the concerto and made its first recording.
Alexis Alrich (b. 1955): Marimba Concerto; Evelyn Glennie, marimba; City Chamber Orchestra of Hong Kong; Jean Thorel, conductor; Naxos 8.574218