Nathan Caton & an OST to Nothing

Heavn by Jamila Woods fuses R&B, Jazz and various other genres including classic indie. Surely it must appeal to Cure-loving Fatiha! 

Freetown Sound by Blood Orange is such an "immaculate" album that James worries he might burst into tears just talking about it. Here's hoping Aparna feels the same, otherwise trouble could be afoot. 

Splendor & Misery is a sci-fi concept album by experimental rap trio Clipping. Lyrics and soundscapes combine to tell an Afrofuturist story of an escape from oppression into the void of space. Jen Ives prepares to be transported. 

Our latest guest on Soundtracking is a composer returning for a second visit, having scored pretty much every blockbuster to hit our screens in recent weeks. The work of Tom Holkenborg - or Junkie XL, if you prefer - can currently be heard in the epic Snyder Cut of Justice League ... Show More

Our guest on this latest episode of Soundtracking is a world-famous frontman with a genuine passion for score. SImon Neil is a guitarist and lead vocalist for Scottish rockers Biffy Clyro - whose most recent album A Celebration Of Endings went straight to the top of the UK album ... Show More

In just three days, director and film composer John Carpenter wrote a classic horror film score. Go behind the scenes and hear the story of how it all came together. We'll also analyze the music, and talk about why it still scares us decades later. Learn more about your ad choice ... Show More

From the very opening sequence of Danny Boyle's debut Shallow Grave - in which the viewer zooms through the streets of Edinburgh to the dark pounding beats of Leftfield - it was clear we were dealing with a filmmaker of great visual flair who understood a thing or two about music ... Show More

We recently deconstructed how Kate Bush’s 1985 song “Running Up That Hill” has found itself at the center of culture due to a placement in the Netflix, eighties, horror, sci-fi show, Stranger Things. For that episode we excerpted an interview with the composers of the show who sh ... Show More

The latest installment of the James Bond franchise, No Time To Die, closes the book on the Daniel Craig era of the international superspy. The film’s theme song, “No Time to Die,” by Billie Eilish, Finneas, and Hans Zimmer, also marks the conclusion of one of the great musical sa ... Show More

We continue our journey through the legendary music of Star Wars from 1977, discussing how music is placed strategically throughout the film. We also take a listen to a long-forgotten theme for Darth Vader, the playful jawas, and we explore the scum and villainy of the jazzy Mos ... Show More

1976 / Re-edit /Jimmy James & Vagabonds I'll Go Where Your Music Takes Me