The Oscar Special Edition Mashup Academy Awards Extravaganza featuring a plethora of ridiculously talented folks responsible for creating Dune, Nightmare Alley, Licorice Pizza, No Time Die, Belfast…
In this episode, we talk about…
- Editing choices in Licorice Pizza and knowing when you’ve got it right
- Navigating different directors and working with Paul Thomas Anderson
- Sir Kenneth Branagh explains why Belfast is filmed from the perspective of a child
- Sir Kenneth’s inspiration and the emotional truth of his family’s experience
- Nightmare Alley’s artistic influences and how it’s an original noir vs. an artifact or art movie
- Tapping into 13 year old Denis Villeneuve to create the newest version of Dune
- Joe Walker and the challenge of cutting a film that stays true to the original 600+ page story
- Greig Fraser and what it was like being trusted as the DP for Dune
- Chris Corbould’s Insight to shooting No Time to Die on film vs. preparing scenes for IMAX
- Camera testing and approaching different angles for so many different actors
- How Tamara Deverell’s research and Luis Sequeria’s costumes made Nightmare Alley a time machine
- Theo Green and Mark Mangini and the intricate process of creating languages, sound, and the Bene Gesserit voice for Dune
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