You have almost certainly heard Nicholas Britell’s music, even if you don’t know his name. More than any other contemporary composer, he appears to have the whole of music history at his command, shifting easily between vocabularies, often in the same film.
His most arresting scores tend to fuse both ends of his musical education. “Succession” is 18th-centu ... Show More
Today
El Niño Is Back. And Worse Than Ever.
The global chaos agent known as El Niño is back, and this year it’s already on track to be, by far, the strongest and most severe on record, wreaking havoc on weather across the world. Today, Chico Harlan, the global climate reporter for The New York Times, goes over El Niño’s hi ... Show More
23m 17s
Yesterday
What Went Wrong on the U.S.S. Lincoln?
For the past two weeks, family members of sailors have been raising alarms about the conditions aboard the U.S.S. Abraham Lincoln, which has a crew of about 5,000 and has been at sea for almost nine months straight. Today, John Ismay, a New York Times reporter who covers the Pent ... Show More
28m 34s
Aug 17
Luigi Mangione’s High-Risk Legal Strategy
In the two years since a masked man shot and killed a health care executive, the national spotlight has turned to the primary suspect, Luigi Mangione. The overwhelming evidence has pointed to his guilt, and the question on most minds has been: What might the defense of one of the ... Show More
24m 56s
Jul 2020
Remembering Ennio Morricone, the Film Score Maestro
His music was dynamic, bold and idiosyncratic, setting a high bar for composers connecting sound and vision. Guests: Jon Pareles and Joshua Rothkopf. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app her ... Show More
53m 12s